From Censors to Critics: Representing The People
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The article presents an examination of the history of the U.S. motion picture industry during the 1920s and 1930s, focusing on the powers and actions of political censors and their opposition by liberal filmmakers. Discussion is offered exploring both the attitudes of filmmakers concerning their self-perception as spokesmen for the greater populace who had the authority to depict controversial material and those of conservative censors who sought to protect society from the same content. The history of film censorship boards and the industry's various reactions to them is then described in depth.
Weinberger, Stephen. From Censors to Critics: Representing 'The People.'
Film & History 42, no. 2 (Fall 2012), 5-22.
MLA citation style (9th ed.)
From Censors to Critics: Representing "the People". . 2012. dickinson.hykucommons.org/concern/generic_works/aabc2eb3-5559-4813-b2b0-4c02c92d1ccb?locale=pt-BR.APA citation style (7th ed.)
(2012). From Censors to Critics: Representing "The People". https://dickinson.hykucommons.org/concern/generic_works/aabc2eb3-5559-4813-b2b0-4c02c92d1ccb?locale=pt-BRChicago citation style (CMOS 17, author-date)
From Censors to Critics: Representing "the People". 2012. https://dickinson.hykucommons.org/concern/generic_works/aabc2eb3-5559-4813-b2b0-4c02c92d1ccb?locale=pt-BR.Note: These citations are programmatically generated and may be incomplete.