Published as:DeBlasio, Alyssa. Anna in Almaty: Darejan Omirbaev's Shuga (2007). In Tolstoy On Screen, edited by Lorna Fitzsimmons and Michael A. Denner, 299-316. Evanston, Illinois: Northwestern University Press, 2015. For...
Ian Boucher is an Information Literacy Librarian at Dickinson College. , In recent years, the superhero genre has grown to account for a significant amount of studio profits. However, superhero films are largely presented as...
For both artistic and personal reasons, D.W. Griffith was drawn to melodrama, and his most influential work, The Birth of a Nation , is, in almost every way, a fully realized melodramatic work. As is typical of this style, the...
For more information on the published version, visit Peter Lang's Website. https://www.peterlang.com/document/1053550, Rarely has a contemporary political leader received more cinema attention than Silvio Berlusconi. Since...
When minstrel shows were created in the 1830’s, they emerged under the claims of being entertainment that showcased black slave life. This entertainment was supposed to serve as a direct representation of black slaves and...
For more information on the published version, visit Cambridge University Press's Website., With the appearance of D. W. Griffith's 1915 racist epic, The Birth of a Nation , the six-year-old NAACP reluctantly organized a...
For more information on the published version, visit Rowman & Littlefield's Website., Baliani, Marco. Body of State: The Moro Affair, A Nation Divided. Translated by Nicoletta Marini-Maio, Ellen Nerenberg, and Thomas Simpson....
This published version is made available on Dickinson Scholar with the permission of the publisher. For more information on the published version, visit Popular Culture Review's Website. Popular Culture Review is licensed under...
The impetus for this issue on connected viewing grew out of research being done by humanities scholars for the Connected Viewing Initiative, a partnership between UC Santa Barbara’s Carsey-Wolf Center and Warner Brothers Home...
Weinberger, Stephen. The Cyclist (Bicycleran). Film Quarterly 59, no. 4 (Summer 2006), 47-50., Published as: Weinberger, Stephen. The Cyclist (Bicycleran). Film Quarterly 59, no. 4 (Summer 2006), 47-50. For more...
Of those actors and directors who have come to be associated with the genre of the Heimatfilm, one name remains both curiously present and absent: Luis Trenker. On the one hand, Trenker continues to be present in the public...
DeBlasio, Alyssa. The Filmmaker's Philosopher: Merab Mamardashvili and Russian Cinema. Edinburgh: Edinburgh University Press, 2019., For more information on the published version, visit Edinburgh University Press's Website.,...
For more information on the published version, visit Film and History's Website., The article presents an examination of the history of the U.S. motion picture industry during the 1920s and 1930s, focusing on the powers and...
Steirer, Gregory. Industry. In Keywords for Comics Studies, edited by Ramzi Fawaz, Deborah Whaley and Shelley Streeby, 127-130. NY: New York University Press, 2021., For more information on the published version, visit New...
The impetus for this issue on connected viewing grew out of research being done by humanities scholars for the Connected Viewing Initiative, a partnership between UC Santa Barbara’s Carsey-Wolf Center and Warner Brothers Home...
This article examines the style of motion picture director Quentin Tarantino in film directing. When discussing the films of Tarantino, it allegedly seems that style is what attracts the attention of critics, scholars, and...
Weinberger, Stephen. Joe Breen, The Ayatollah Khomeni, and Film Censorship. Quarterly Review of Film and Video 26, no. 3 (2009), 206-215., For more information on the published version, visit Taylor and Francis Online's...